Showing all posts tagged #liveproduction:


Live Production - Ethos Vision & Mission

Posted on March 12th, 2017

I wrote this page about what my team would look like last spring when I was considering the request to lead the Troy Production Department. I'm reviewing it again this month now that I've hired the final member of my staff. I'm grateful for each of them; and for all of our incredible volunteers. Here's to a great season of thriving in ethos, mission, and vision as we push through our busiest part of the year these next couple months...

Ethos:
  • Commitment
    • time, task, tidy
    • excellence and thoroughness
  • Optimism
    • joy, hope
  • Service
    • we will never let someone else do a task without helping
    • grab the seat of least honor; walk the extra mile
  • Adaptability
    • flexible at any moment
  • Passion
    • zero cynicism, but rather zeal for the privilege of serving together
  • Apprenticeship
    • as leaders we always have someone with us that we’re training in the way
  • Beauty
    • we will be artisans
    • with excellence and authenticity we will present ourselves and our craft to target the subconscious
    • we will strive beyond the how and execute our craft for the why

Vision:
Realize great beauty
as the local body of Christ
through the context of Live Production


Mission:
Support and enhance art and communication
to help people engage with God



Troy Live Production Volunteer Positions

Posted on February 21st, 2017

We love providing the opportunity for volunteers to use their skills and passions to support and enhance art and communication. *no experience necessary! We have four entry area options to join our team:

  • Stage Crew
    • Assistant Stage Manager
  • Audio & Lighting Crew
    • Setup of Staging & Equipment
    • Programming & Operation
  • Live Video Crew
    • Camera
    • Control Room
    • Multimedia and Graphics
  • KKids Crew
    • Audio
    • Lighting
    • Multimedia and Graphics

Please do connect with us and join our great team!



An Indication of Success

Posted on February 19th, 2017

A friend recently messaged me on my thoughts of how we evaluate our product after each event. I voice texted the following:

An indication of success is the observation of team celebrating that they had the privilege of experiencing the events together. That members of the team would offer self critique of the things that they individually remember missing and proposing their plan for how to improve it because they want to improve the overall win. That they would encourage the others in their successes in a posture of gratefulness to serve alongside such talent and attitude.

The greatest single indicator is joy. Do people like being part of the team? Do they celebrate that? Do they celebrate one another, even if they weren't part of the element? Is it a privilege to be part of the same team? Are they thinking about people that they want to invite along to the experience?

Another is adaptability. Are they willing to follow the leadership on a last-minute course correction without gripe or grumble or stressful freakout; but rather peace and even excitement.

Finally, and this is certainly more of a long-term evaluation: Are people working themselves out of a job? If the true culture is discipleship, then it will play out in the entire context of the persons life. Even to the point of training others to replace you in task and responsibility. The body of Christ is always evolving. Are we openhanded to however the spirit will move people and grow people?



FILO 2016 Production Design

Posted on May 23rd, 2016

One week ago, we were finishing load in and initial programming for 2016’s edition of the FILO Conference. It was an honor and privilege to be the Production Designer (responsible for Scenic and Lighting Design) for the conference. It was a scurry of a few days so I never really had time to post anything. Here are a few of my favorite moments from the event:


Some of you took my Scenic Design Concepts breakout class. For the rest of you, here’s the story behind how I landed on the final version of the design. These are the notes from the slide where I talked about "Branding (and the iterative process of design) …and Metaphor"

The O in FILO seemed to be the best part of the brand to play off of…
PlexiDiscs (something that I have in storage that’s not being used)
They set up easily enough (tie-line and zip-ties)
They can give depth to a shallow stage
They easily fit in my hatchback!
We concept designed about building a pretty cool set piece that we chose to say no to. (the builder, time, money, space on stage, etc.)
The iterative process - never settle for the first idea, if you stay disciplined to the process, the best idea will eventually be revealed. (certainly the idea at the greatest intersection of creativity and stewardship)
Metaphor
The 40 O’s represents each of us who are FILOs. Some of us are lone guys, some of us are part of teams. Coming together we can encourage each other with our beauty as we come together. Together we can find a chorus of a “new song" (Psalm 40) to carry with us as we go back to support and enhance the sharing of the good news that Jesus loves us.

The lights, I selected for a few reasons.
First, the B-EYEs are a light that every church tech nerd has seen the videos of and dreamt about having in their venue. I thought that giving a chance to see could be beneficial.
The opportunity to have access to the use some great hybrid fixtures in the Mythos was an amazing bonus.
Finally, the Aura XBs had a primary use of lighting the scenic. However the bonus of such a great light is that we created a number of presets to give us several bonus looks!

For the whole design I played with clusters that followed the Fibonacci sequence. I wanted to have the thought of each part of the design to have a beauty on its own and contribute to the beauty of the whole in a way that felt like it fit...

Thank you to Ryan and ILC for providing the amazing lighting gear. Thanks Jeff and Brian CCC for being perhaps the most hospitable hosts an any venue I’ve ever had the chance to work with. Thanks Nate and Chelsea for the logistics, leadership, and vision. Thanks to Michael and Nic for helping us set it all up, troubleshoot issues, and Nic especially for that great catch with the B-EYEs' profile issue. Thanks Alex (whom I met as we were both on the LD panel discussion breakout) for guest designing Session 3 as I was putting finishing touches on the Keynote presentation for my breakout.

Special thanks to Patrick for being my partner in the project. Having a guy on the console who knows how to interpret the ideas of my mind almost even before I say them is the dream for an LD. A best friend with me for the journey to and from Chicago is a bonus.

Thanks most of all to Todd for inviting me to play a small role in your vision. It was a privilege and an honor.


Leadership Gathering

Posted on September 7th, 2015

So I finally spent the time to pull images from my camera. Here are some of my favorite moments.

Intermission between sessions the first night. I love tables and chairs for a conference.

From the opening medley - I hope Michael Jackson would have been proud.

From the opening medley - covering Hey Ya by Outkast.

From the opening medley - I believe this was Shake It Off.

A shot from house right showing a bit of the room. We really have transformed the old warehouse. I remember doing our walk-through when we first purchased this space. It used to have columns in the middle of the room. Oh, and dirt floor with vile things growing in the puddles...

I like this shot during worship that also shows some of the table decorations that I helped braintrust the design of. Please forgive the odd looking text on the screen due; to the fact that I snapped the photo exactly on the CG transition.

The Kensington founders and their wives on stage together. It’s a beautiful encouragement to see them still be close friends 25 years later.

I love how my friend Michael Duggan programs lights. It’s fun to see my plot come to life!

It was an honor to get to run audio for day two of the event. Here’s the view I had of the keynote speaker teaching from the B-stage in the middle of the room.

A panoramic shot of the room. I wish I had taken a reverse angle of the room in use. The best I can do is the following photo.

My view of the room from above the stage while working on projection.

I need to share more about the load-in and set build process, but I’ll share this moment at least. This is day two. 24 hours prior all we had was the arch in place and the wrong size fabric. RoseBrand had sent us the wrong width due to a mis-labeling error in their sewing department. They overnighted us the correct size and we were able to work past midnight to get everything ready for doors to open the next morning for another event that was using the room. The team was great as we flexed through the setback and found other useful things to do with our time on day 1 and the first half of day 2. Thankfully we had kept a second day of setup on the schedule; if not, we would not have had a chance for the vision to have turned out as you see in these images.

Eric Wolfe

Visual Artist. Production Designer and Consultant. Developer of Ideas. Maximizer of Resources. Strategic Thinker. Creative Innovator. Husband. Father. Philosopher. Photographer. Backpacker. Athlete. Cook. Artisan. Catch Eric’s sporadic musings at egwolfe.com or follow him on social media platforms as @egwolfe