Revisiting one of my favorite Production Design memories - Story Conference 2012
This is from my Production Design Training slide deck. I ask questions like these when I’m designing:
What is the desired vibe?
What resources do I have in storage that I can reuse?
What can fit in my minivan to transport from Detroit to Chicago?
How can it look like it has more depth than the very shallow stage actually has?
Who is the crew? What are their skills and talents and passions? Do they want a challenge?
The journey to get to from concept to actual design (including materials list, rigging notes, lighting plot, setup checklist, and rendering of vision) took a lot of iteration
. It required lots of emails including scanned sketches
and study of blueprints
of venue that I was out of town and not able to do an in-person site-survey. We also utilized video conferencing
for "face-to-face collaboration
between Executive Producer, Production Manager, and myself, the Production Designer) including screen-sharing and digital sketching
. The most interesting development was the week-of donation of an LED screen that let us gain a lot of stage space because of the throw distance not being required; which was great for the final product, but required some last minute adaptability
in redesign of all the rigging
and the lighting plot
. One of the key layers
of this design that wasn’t there when I arrived at the venue was four lekos with abstract gobos. I pushed way hard for the day of rehearsal that our PM managed to find a way to procure the morning of the conference was some theatrical
gobos to throw textural
light at the curtains. Sometimes it's the simple, old-school, theatrical tricks that really create the mood and set the tone for the experience. When the team saw them turn on only minutes before doors opened, they realized why I was pushing so hard for such. Magical!*this post adapted from my post in September 2012. Feel free to look it up for greater detail and explanation of choices.